The Science Of Cold Reading A Script For Actors And Actresses
Inside regular theater an actor may prepare a monologue he has spent many hours memorizing, for a part that he will perform at every audition. He’s spent considerable time on this and he or she has perfected the art and delivery. When going for an audition he’s quite confident with his prepared lines. However, inside a film or commercial audition the actor is anticipated to execute a script directed at him he has never seen before. This is when the skill of cold reading is essential and could be a life-saver.
The actual technical definition of cold reading is the auditioning for a part with a script at hand, one the actor has never seen. The profession says how the actor should really get the script a minimum of 24 hours prior to the audition but all too often this just doesn’t happen. For this reason cold reading is really important to actors who are employed in film or commercials.
Consequently, how can you learn to cold read? Brute force. Get a script, browse the first line, commit it to memory and then say the line without glancing at the script. You have just done your first cold reading. In the beginning you might only have the ability to memorize several words at a time, but after some practice you will soon be memorizing several lines at any given time. Being an actor is kind of like being an athlete. The more you’re employed at it the better you will get. Once you feel comfortable doing cold reading by yourself check it out with another actor. This is where it gets fun.
When you’re at the audition it is extremely tempting to try and sneak a peek at the next line as the other actor does his lines. Don’t do this. The way you pay attention to your fellow actors is equally as essential as speaking your lines. Hold back until it’s time to respond after which look at your next line. Memorize as much of your line as you can in a couple of seconds. Then make eye contact together with your partner and say your next line.
If you’ve got more to memorize than you are able to with just a glance, repeat the process until you have the line memorized. But keep your face out of your script. Never read your lines while looking at the script. This is a sure method to blow the audition. Be sure you stay in character while reading your lines.
When you are actually at your audition even though you do not get the script until you make it happen, try to browse the script in the entirety at the same time and remember as much of it as you can. This way you will a minimum have some idea what the scene is about, who the characters are and how the conversation should go. For those who have additional time attempt to memorize the foremost and last lines. This will give you a strong start and ending, which is what the person auditioning you will remember the most.
Any time you are holding your script, hold it together with your left hand if right handed and at chest level. Don’t have your face buried in the script. Don’t wave the script around like it is a prop. Make believe this is a natural extension of the body. The less attention you draw towards the script itself the better.
Certainly, A cold reading goes much slower and feels much more awkward than a normal reading. This really is normal and you don’t have to bother with it. The casting director knows this is actually the first time you could have seen the script. He’s more interested in what type of personality you have as related to the character.
Regrettably, you may be the greatest actor on the planet, but without being able to cold read you are not likely to get many parts as you’ll never see through the first audition. So include cold reading in your training. You will find you will get more parts because of it.
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